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While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
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Serbian Church In History - Renewal of the Patriarchate of Pec

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RENEWAL OF THE PATRIARCHATE OF PEC

The renewed Patriarchate of Pec existed for almost two hundred years (1557-1766). By mid 16th century, Balkans, and especially those areas inhabited by Serbs, became a transitory region for conquering Turkish armies going west, and the Ottoman authorities wanted to appease Orthodox Serbs by granting concessions to their Church. It is for this reason that Patriarchate of Pec was renewed with Turkish approval. The Grand Vizier Mehmed (Muhammad) Sokolovic (Sokolovich), a janizary of Serbian stock who became very successful in climbing the Ottoman social and political ladder, played the key role in this affair. It was through his assistance that the Patriarchate was renewed in 1557, its first Patriarch being Vezier’s very brother — Makarije Sokolovic (1557-1571, Macarius). This was a grand occasion for Serbs and their Church, Patriarchate of Pec spiritually united all Serbian ethnic regions into one. Even parts of Bulgaria and Hungary came under its jurisdiction. Old dioceses were renewed and new ones formed: Dioceses of Trebinje (Trebinye) in Herzegovina, Pozega (Pozhega) in Slavonia, Marca, Jenopolis, Vrsac (Vrshats), Budim … All in all there were around 40 dioceses in the wide region covering the area from Budim (Hungary) to the river Drim in Albania, and from Western Bulgaria to the Adriatic Sea.

Serbian Church now functional under now more favourable circumstances when compared to those of the early years of Ottoman rule. New monasteries and churches were allowed to be built (Canyon of Ovcar [Ovchar] and Kablar monasteries), and many old ones restored and redecorated (Pec, Gracanica). Political status of the Serbian Patriarch was much similar to the one held by Patriarch of Constantinople. He was proclaimed “People’s Leader” and bestowed considerable “worldly” authority over his Christian subjects. He gave suggestions to the Porte concerning elections of metropolitans and bishops, judged disputes among priests, raised Sultan’s annual taxes, solved marital disputes among Christians, held inheritance rights to the property of all those who became deceased but had no lawful heirs. Patriarch was a person of high standing both in the eyes of the Turks and among the Christian population. He travelled on horseback always accompanied by an escort and his official dignitaries. It, thus, happened that under the Turkish yoke the Church and the Patriarch assumed, out of necessity, that role which was normally held by the State and the “worldly” rulers among the Serbs.


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Branko Bojovic

Dr. Bojovic is an expert in adult and pediatric craniofacial surgery, and microsurgery for congenital, oncologic and traumatic conditions. Among his specialties are adult microsurgical reconstruction of the head and neck following oncologic surgery, post-traumatic injury, and treatment of pediatric syndromic and non-syndromic craniofacial disorders, such as craniosynostosis and cleft lip and palate. His research focuses on composite tissue allotransplantation and tissue engineering, as well as clinical outcomes following surgery for cleft lip and palate surgery and facial trauma.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0