A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tatjana Aleksic

Tatjana Aleksic received her Ph.D. in Comparative Literature from Rutgers University in 2007 and has been teaching at the University of Michigan since 2007. She is the editor of Mythistory and Narratives of the Nation in the Balkans (2007). Additional publications include articles on nationalism, gender, language, and myth and translations into Serbian of short fiction, haiku, and medical textbooks.  She is the recipient of research awards from the University of Michigan (2008), Serbian Ministry for the Diaspora (2008), and a Rutgers University Dean’s fellowship (2002-2004).

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She is active in National Association for Slavic Studies, the American Comparative Literature Association, and the Association for Slavic, East European, and Eurasian Studies. Ongoing projects include a book manuscript on sacrifice, the body, and the nation.  Teaching interests in Comparative Literature include undergraduate courses on twentieth-century culture and history, women and myth, and graduate seminars on nationalism, and poststructuralist theory.

Languages:

  • Serbo-Croatian (Bosnian, Croatian, Serbian, native), working knowledge of French, Italian, Latin, Modern Greek.

Affiliation(s):

  • Comparative Literature, CREES, Slavic Languages & Literatures

Fields of Study:

  • Literary Theory
  • Postmodern Fiction
  • Contemporary Balkan literature, with an emphasis on Serbian and Modern Greek fiction
  • Balkan Film
  • Myth, History, and Memory
  • Nationalism
  • Postcolonialism
  • Exile
  • Issues of Identity
  • Gender Issues
  • Music

Select Publications:

  • Mythistory and Narratives of the Nation in the Balkans, ed. Tatjana Aleksic (Cambridge Scholars Publishing, 2007)
  • “Making Patriarchal History Women’s Own: Eugenia Fakinou’s The Seventh Garment.” Forthcoming in Sanja Bahun-Radunovic and Julie Rajan, eds., Myth and Violence in Contemporary Female Text: New Cassandras, Surrey, UK: Ashgate, 2010.
  • “Southeast European Novel,” Blackwell Encyclopedia of the Novel,  ed. Peter Logan, 2010.
  • “National Definition through Postmodern Fragmentation: Milorad Pavic's Dictionary of the Khazars,” Slavic and East European Journal (SEEJ) 53:1 (Spring 2009): 86-104.
  • “The Emerging Subject of Rhea Galanaki’s Ismail Ferik Pasha,” Journal of Modern Greek Studies 27:1 (May 2009): 31-54.
  • “Grief Can only Be Written in One’s Mother Tongue.” Literature of Exile, ed. Agnieszka Gutty (New York, Berlin: Peter Lang Publishing, 2009) 155-175.
  • “Disintegrating Narratives and Nostalgia in Post-Yugoslav Postmodern Fiction.” Balkan Literatures in the Era of Nationalism, Murat Belge, Jale Parla, eds. Istanbul, Turkey: Bilgi University Press, 2009, 3-14.
  • “Extricating the Self from History: Bait by David Albahari.” MMLA Journal 39:2 (Fall 2006): 54-70.
  • Review of Lorraine Mortimer, Terror and Joy: The Films of Dušan Makavejev in The Slavic Review (Summer, 2010).
  • Review of Danilo Kiš, Mansarda, tr. John Cox in World Literature Today (March/April 2009): 68-9.
  • Review of Dubravka Ugrešic, Lend Me Your Character, tr. Celia Hawkesworth and Michael Henry Heim in Balkanistica 20, (Spring 2007): 185-187.

Education:

  • 2002 MA in English Literature and Theory, University Of Nis, Serbia
  • 2007 Ph.D. in Comparative Literature, Rutgers University

Book:

  • (2013) The Sacrificed Body

From: Slavic Languages & Literatures


SA

 

People Directory

Oksana Germain

Oksana Germain completed her Bachelor’s degree in May of 2018 at the Eastman School of Music in the studio of Nelita True. Currently, she is attending Anton Bruckner Privatuniversität in Linz, Austria as a graduate student in the studio of Oleg Marshev. Her childhood dream of playing piano with a symphony orchestra came true when she was chosen as one of the San Diego Symphony’s Young Artist “Hot Shots” Competition winners in 2010. She performed Beethoven's Piano Concerto No. 1, 1st movement with the San Diego Symphony at their 100 Year Anniversary Gala in December of that year. She was also invited to perform in the San Diego Symphony's Children's Concert Series “Bravo, Beethoven!” in May, 2010. Oksana also performed in the La Jolla Music Society's Discovery Series Prelude Concerts in 2012, and was a regularly featured performer for the Music 101 Radio broadcast on San Diego’s classical station 104.9 FM. In addition, she has been a featured soloist with the Tifereth Israel Community Orchestra performing Addinsell’s Warsaw Concerto and Beethoven’s Concerto No. 3.

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Publishing

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.