A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Katarina Miljković

Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot's essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “…a dreamy piece, along the lines of Feldman or Brown, entirely captivating (Signal to Noise). Her generative music has been described as a refined, hypnotic dream (Danas) a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors (Radio Belgrade), "ambient tone poem... that moved hypnotically through the sonic frame" (Lucid Culture).

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In collaboration with Wolfram Research, Miljkovic has been working on sound mapping of the elementary rules from Stephen Wolfram's New Kind of Science. She presented her exploration in this new field at NKS conferences in Waltham, MA, 2004, Washington, D.C., 2006, University of Vermont, 2007, Wolfram Technology Conference, Champaign, IL, 2005, The Musical and Scientific Legacies of Iannis Xenakis, 2006, Toronto, Cambridge Science Festival, 2009-2010, Boston Cyber Festival, 2007-20011, the International Conference on Mathematics and Computation in Music, 2007, Berlin, and Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis (ECMST ~ MASA), 2010, Berlin, Electronic Music Midwest, Chicago, IL, 2010, First Night, Boston, 2011.

Katarina Miljkovic's works have been performed at major music festivals in her native Yugoslavia, including the Belgrade Music Festivities, BEMUS, Music Biennale and World Festival of Chamber Music in Zagreb, the Rostrum of Yugoslav Music and, at the international festivals in Budapest, Romanische Sommer, Cologne and soundAxis, Toronto. Her Rondo, Sequence for String Orchestra was performed internationally by Belgrade String Orchestra in China, Greece, Hungary, Bulgaria, Italy, Russia, and Great Britain, at venues such as the Beijing Concert Hall, the Moscow Conservatory Big Concert Hall and the Bulgaria Symphony Hall. Miljkovic's work Swifts, for Symphonic Orchestra was performed by the Belgrade Radio Orchestra, the Athens Symphony Orchestra and broadcasted internationally. Her recent collaborative projects include works with Theater Dah from Belgrade, director Vlada Petric, Harvard University, Milan Popovic, video artist, Belgrade, choreographers Dawn Kramer and Stephen Buck, Boston, composer/performer Ko Ishikawa, Japan and percussionist, Peter Negroponte, NYC.

Miljkovic moved to Boston in 1992. She is faculty at the New England Conservatory of Music since 1996 and the recipient of the Louis Krasner and Lawrence Lesser award for excellence in teaching.

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Мејбл Грујић

Мејбл Гордон Данлоп Грујић (Mabel Gordon Dunlop Grouitch) (Кларксбург, Западна Вирџинија, 13. август 1872 - Вашингтон, 13. август 1956) била је жена српског дипломате Славка Грујића, велика српска добротворка и добровољна медицинска сестра при Црвеном крсту у Србији током Првог светског рата.

Мејбл Грујић рођена је као Мејбл Гордон Данлоп (енгл. Mabel Gordon Dunlop) 13. августа 1872. године у Кларксбургу, Западна Вирџинија. Отац јој је био инжињер и високи чиновник америчке железнице. У Америци је завршила колеџ, где се посебно занимала за уметност и археологију. Као ђак је сарађивала са омладинским листовима и часописама где су објављени њени запажени чланци. Након тога је добила стипендију за студије у Француској и Грчкој.

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Publishing

Emmanuel

The Only Begotten and Firstborn among Many Brethren

by Bishop Athanasius Yevtich

In Emmanuel, the second anthology of Bishop Athanasius' articles to appear in English, His Grace explores themes of Orthodox Christology, Soteriology, Ecclesiology, and Gnoseology. How can we know Who God is? How can we know who we are, as human persons created in His image and likeness? How can we become one with Him? Bishop Athanasius examines these and other foundational questions in depth in this volume, drawing from a wealth of Scriptural and patristic sources. In discussing diverse theological subjects, he always returns to his overarching theme: the communion that man can have with God through Jesus Christ the God-man, within Christ's Church and above all in the Holy Eucharist. His exquisite and unique way of engaging the reader in mutual dialogue, with the living Eucharistic experience permeating his every thought, instills in the reader a burning desire for that communion.

Soft-bound
Contemporary Christian Thought Series, No. 3 - First Edition
229 pages
ISBN 978-0-9719505-4-2