A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Zoran Mojsilov

Zoran Mojsilov was born in Belgrade, Yugoslavia in 1955. As a small child, he carved his own toys out of scrap wood and was adept at drawing and painting. In early adolescence he began Greco-Roman wrestling and continued this practice into his mid-20’s. He credits the discipline of training, an understanding of the skeletal muscular forms in the human body, and the spirit of competition in sports and life as primary factors for creating art today.

Mojsilov left Belgrade in 1983 for Paris, France to test his artistic credibility. In 1984, he met Ilene Krug, an American Artist, at Association Confluences. After two productive years there, they decided to move to Minneapolis in 1986.

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Once in Minneapolis, Mojsilov made large scale sculptures in wood using the assemblage process that he had started in Paris. His career developed steadily with recognition from local and national grants such as the McKnight Artist Fellowship in 1987, the Socrates Sculpture Park / Athena Foundation Award in 1988 and 1990, the Pollack-Krasner Foundation Artist Fellowship in 1990, the Minnesota State Arts Board Artist Assistance Fellowship in 1994, the Bush Foundation Artist Fellowship in 1996, and the Jerome Foundation, Travel and Study Grant in 1993 and 2001.

Mojsilov had a sculptural break-through in 1990 when he was an artist-in-residence at La Vie des Formes in Chalon-sur-Saône, France. In this French shipyard, he took up welding and made sculptures in stone and steel. Mojsilov continues to use these durable materials in his public art projects to this day. They include: the Metropolitan Regional Arts Council High Bridge Park, St. Paul in 1995, the Minneapolis Arts Commission, Camden Gateway Project, Minneapolis in 1996, the Minnesota Percent for Art in Public Places, Rochester Community & Technical College in 1997; the Dallas Area Rapid Transit, Dallas TX in 1998; Wisconsin Percent for Art in Public Places, U of WI at Stevens Point WI in 1999; Kirchbak Sculpture Garden, Richfield MN in 2000; North Dakota Museum of Art, Grand Forks ND in 2000; Spirit of Milwaukee Neighborhood Millennium Art Initiative, Milwaukee WI in 2000; Nebraska Percent for Art in Public Places at Wayne State College in Wayne NE in 2002; the Anderson Center for Interdisciplinary Studies in Red Wing MN in 2006.

From: Bockley Gallery


SA

 

People Directory

Allex Mandusich

Andjelko "Big Jake Alex" Mandusich is a recipient of the Congressional Medal of Honor, and was one of the greatest Serbian-American heroes of World War I.

He was born on July 13th, 1887 at Sar Planina, Serbia. In 1905, at the age of 18, he immigrated to America.

When the US entered World War I, Mandusich immediately enrolled himself in the Army. During the battle in Amiens region in France in August of 1918, Jake, now a corporal, advanced his men at Chipilly Ridge; there were many casualties and in the heat of the battle Alex realized that all officers had been hit and that he was now the leader of his platoon. His men were pinned down by machine gunfire from a German nest thirty yards away. Under intense fire Manudsich made his way to the nest alone; he pulled out his bayonet and attacked..

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Publishing

God Views Us Through Love

by Ignatije (Midic), bishop of Branicevo-Pozarevac

The present volume collects essays and articles written by Bishop Ignatije on man within history and within the Church; on the roots of the Church according to Saint Maximus the Confessor; on how God views us through love; about a call to rediscover our true self in our neighbor; on reconciliation in society and policy; on iconising that which is to come seen in the Iconography of Stamatis Skliris.