A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Embassy of the Republic of Serbia in Canada

H.E. Mihailo PAPAZOGLU
Ambasador

Mirjana Šešum – Ćurčić
Counselor

Miodrag Sekulić
Counselor

Milan Reljić
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Ottawa ON K1N 8A2

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Tomislav Z. Longinović

Professor of Slavic, Comparative Literature and Visual Culture
University of Wisconsin-Madison
1452 Van Hise
1220 Linden Dr
Madison, WI 53706
608-262-4311
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Born and raised in Belgrade, Longinovic holds degrees in creative writing, psychology and has his Ph.D in comparative literature.

His books include Borderline Culture (1993), Vampires Like Us (2005), the co-edited and co-translated volume, with Daniel Weissbort: Red Knight: Serbian Women Songs (1992), and the edited volume: David Albahari, Words are Something Else (1996). He is also the author of several works of fiction, both in Serbian (Sama Amerika, 1995) and English (Moment of Silence, 1990).

His most recent book, Vampire Nation: Violence as Cultural Imaginary, was published by Duke University Press in 2011. His research interests include South Slavic literatures and cultures; the Serbian language; literary theory; Central and East European literary history; comparative Slavic studies, translation studies, and cultural studies.

Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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