A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Zivkovic Wins Grawemeyer Music Prize

“On the Guarding of the Heart,” a piece for chamber orchestra by Serbian-born composer Djuro Zivkovic (joo-ROH’ zhiv-KOH’-veetz), has won the 2014 University of Louisville Grawemeyer Award for Music Composition.

The 20-minute work “makes a huge emotional journey in a relatively short period of time, moving through many landscapes between the mysterious, moody opening and the ecstatic conclusion,” said award director Marc Satterwhite.

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“The composer also makes wonderful use of the colors of the 14-piece ensemble. The instruments are used in fascinating ways, both traditional and otherwise … that shape the sound of unnatural, echoing beauty,” he said.

Zivkovic, 38, describes the piece as an “instrumental cantata” inspired by the religious music of Bach. Its main theme is the need to return to oneself.

“It is about hard-achieved detachment, stillness and watchfulness, it’s about solitude and exile,” the composer said.

Born in Belgrade in 1975, Zivkovic has lived in Stockholm, Sweden, since 2000. He is active as a violinist and violist—with a special interest in improvisation—and teaches at the Royal College of Music in Stockholm.

Austrian ensemble Klangforum Wien gave the first performance of “On the Guarding of the Heart” in November 2011 in Belgrade. The piece also has been performed in Vienna and Bergen.

Zivkovic’s music has been commissioned, performed, recorded and broadcast across Europe and North America by ensembles such as Sonanza, Klangforum Wien, Trio Fibonacci, Musica Vitae Chamber Orchestra, BIT20 and Stockholm Symphonic Wind Orchestra and people such as conductors Emilio Pomarico and Baldur Brönnimann and Swedish contralto Anna Larsson.

He received a Swedish Grammy Award 2010 (Grammis) with Sonanza for his piece “Le Cimetière Marin” for mezzo-soprano and ensemble.

Influenced at an early age by folklore and Byzantine music, he has developed a wide range of composing techniques such as polyrhythms, improvisation, harmony-based scales and microtones. Over the past decade, he has become particularly interested in harmonic organization, an area he has identified as crucial in modern compositions.

UofL presents four Grawemeyer Awards each year for outstanding works in music composition, world order, psychology and education. The university and Louisville Presbyterian Theological Seminary jointly give a fifth award in religion. This year’s awards are $100,000 each.

For more details on the awards or to download Zivkovic’s photo, see grawemeyer.org

From University of Louisville


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Nemanja Bjelica

Nemanja Bjelica (rođen 9. maja 1988. u Beogradu) je srpski košarkaš. Trenutno nastupa za Minesotu timbervulvse, a takođe je i standardan član košarkaške reprezentacije Srbije.

Primarna pozicija mu je krilo ali može da igra i po potrebi na pozicijama plejmejkera i krilnog centra. Godine 2009. bio je izabran za najboljeg sportistu Sportskog društva Crvene zvezde. Draftovan je 2010. godine u drugoj rundi NBA drafta. Proglašen je za najkorisnijeg igrača Evrolige 2015. godine, a ujedno je bio i član najbolje petorke ovog takmičenja.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0