A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tasovac: Culture is an Irreplaceable Engine of Development

Mr Ivan Tasovac, director of the Belgrade Philharmonic Orchestra, gave a speech at United Nations Headquarters in New York on Wednesday, 12 June 2013. Debate “Culture and Development” was opened by the UN Secretary-General Mr Ban Ki-moon and the President of the United Nations General Assembly Mr Vuk Jeremić.

In interactive panel discussion, except Ivan Tasovac, keynote speakers were Mr Thomas Campbell, Director of the Metropolitan Museum of Art, Anthony Tommasini, the Chief Music Critic for the New York Times and Ms Miri Ben-Ari, Grammy Award Winning Violinist and Goodwill Ambassador of Music at the UN Brazil.

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Below you can read Mr Ivan Tasovac’s speach.

„Distinguished Mr. President, distinguished colleagues, ladies and gentlemen,

The century we live in is clouded by apprehension, uncertainty, unexpected political twists and turns, in which nobody can be sure of positive outcomes of their affairs. Our time is one of crisis, a time of rapid technological revolutions that accentuate the differences between developed societies and those whose specific features hinder their development. Nevertheless, the whole world is our birthplace and the absence of culture in it is inconceivable.

One of man’s inherent qualities is the urge to express himself in various metaphorical ways, as well as to consume other people’s expressions. Culture is humane, violence-free; it is both our servant and our master.

Where system-wide support to culture falls short, it makes fertile ground for its substitute to flourish in the form of the industry of entertainment, fashion, style, false codes and ephemeral phenomena, all of which are intended to be dominant over culture. Disguised as culture, entertainment is momentary: short-lived wonders cannot be preserved as heritage.

Although we can always rely on the response of culture’s own immune system, a proper strategy facilitates culture’s efforts in finding its strength and power. Support to culture, by strengthening and supporting cultural institutions, through private or public funds, is the right way to remove all obstacles for and uneasiness about consuming culture in all its diversity and magnificence.

Today, the world is facing an economic mega-crisis. Only the cultural institutions capable of ensuring their financial survival are free to develop their strategies towards their original goal – the presentation of art and spiritual heritage. It is their right, one that is also closely related to the obligation to abandon their prejudices. The encrypted language of art contains a code that eliminates misunderstanding, distrust and intolerance. Thus, through understanding and acceptance, it suppresses ignorance and estrangement.

With all its diversity, culture contributes to reconciliation and creates an auspicious atmosphere for restoring the relations that have long since deteriorated or have become unproductive. At the same time, development of partnerships is a fail-safe way to ensure sustainable development of economic cooperation.

Culture does not take sides; it is a reliable partner of all sides, in pursuit of more humane and relaxed relationships that have been burdened with overblown conflicts and distrust. It permeates all relations and, as such, it is an indispensable associate. It speaks all languages, respects differences and plays with them in an endless spiral of change.

Culture still remains a unique constant that strengthens and continually changes an individual. It offers relief from fear, shame and suspicion. Once relieved, an individual is capable of changing his environment and the entire community by enhancing its capacity to understand and enjoy culture produced by others. At that stage, progress is ensured, which is also one of the Millennium Development Goals.

In this process, culture becomes a goal, an irreplaceable engine of development, civilisation’s legacy that powers the entire planet. Culture becomes a synonym for life, but unlimited by space and time; it becomes everyone’s property without actually belonging to anybody.”

From Belgrade Philharmonic Orchestra


SA

 

People Directory

Nemanja Bjelica

Nemanja Bjelica (rođen 9. maja 1988. u Beogradu) je srpski košarkaš. Trenutno nastupa za Minesotu timbervulvse, a takođe je i standardan član košarkaške reprezentacije Srbije.

Primarna pozicija mu je krilo ali može da igra i po potrebi na pozicijama plejmejkera i krilnog centra. Godine 2009. bio je izabran za najboljeg sportistu Sportskog društva Crvene zvezde. Draftovan je 2010. godine u drugoj rundi NBA drafta. Proglašen je za najkorisnijeg igrača Evrolige 2015. godine, a ujedno je bio i član najbolje petorke ovog takmičenja.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0