A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Branko Tomović

Branko Tomović (Serbian Cyrillic: Бранко Томовић; born June 17, 1980) is a Serbian-German actor. He was born in Münster, Germany, though his actual origin is from the Carpathians in Serbia. His parents emigrated in the 70's from the Golubac Fortress area on the Danube and Branko was raised between Germany and Serbia before he studied acting at the prestigious Lee Strasberg Theatre Institute in New York City. Tomović was first seen on the big screen in the lead role in the American Film Institute/Sundance drama Remote Control, for which he received the OmU-Award at the Potsdam Film Festival.

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Currently settled in London, with his dark, brooding looks he has appeared in striking roles on British Television. He played the creepy main suspect Antoni Pricha, the Morgue Man, in Jack the Ripper thriller Whitechapel, the pyromaniac Junky-Henchman Marek Lisowski in the final episodes of A Touch of Frost and Polish fighter pilot Miroslaw Feric in the World War II drama The Untold Battle of Britain. Tomovic has worked with internationally respected film directors as Ken Loach, Sönke Wortmann and Paul Greengrass. He was named "One to Watch" by Moviescope Magazine in 2008 and recent film credits include The Bourne Ultimatum opposite Matt Damon (Dir. Paul Greengrass), It's a Free World... (Dir. Ken Loach), The Wolf Man (Dir. Joe Johnston), Pope Joan (Dir. Sönke Wortmann) and Interview with a Hitman (Dir. Perry Bhandal). In 2010, he won the 'Best Actor' Award at the San Francisco Short Film Festival and at The Accolade Film Awards for his performance as a Serbian soldier who is tormented by grief and guilt after being a witness of war crimes in the drama Inbetween.

Awards:

  • Philadelphia Documentary & Fiction Film Festival 2011 - Best Actor for "The Crossmaker"
  • Goldie Film Awards 2011 - Special Award for Best Actor for "The Crossmaker"
  • San Francisco Short Film Festival Award 2010 - Best Actor for "Inbetween"
  • The Accolade Film Awards 2010 - Best Leading Actor for "Inbetween"
  • MovieScope Magazine 2008 - "One to Watch"
  • Potsdam Film Festival 2002 - OmU-Award for "Remote Control"

Filmography (Selection):

  • Law and Order UK (2013)
  • Silent Witness (2013)
  • Ein Fall für zwei - Adams Sünde (2013)
  • Entity (2012)
  • Believe the Magic (2012)
  • Interview with a Hitman (2012)
  • Strike Back (2011) (TV)
  • Coming Up - Home (2011) (TV)
  • Will (2011)
  • Tatort (2011) (TV)
  • Polizeiruf 110 (2010) (TV)
  • The Untold Battle of Britain (2010) (TV)
  • A Touch of Frost (2010) (TV)
  • Pope Joan (2009)
  • The Wolf Man (2010)
  • Whitechapel (2009) (TV)
  • Inbetween (2008)
  • Into the Woods (2008)
  • Taximan (2008)
  • Casualty (2008) (TV)
  • The Bourne Ultimatum (2007)
  • It's a Free World... (2007)
  • The Bill (2007) (TV)
  • Amor Fati (2005)
  • Dirty Seed (2005)
  • Casualty (2005) (TV)
  • Siska (2003) (TV)
  • Bella Block (2002) (TV)
  • Remote Control (2001)

Links: 

From Wikipedia


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People Directory

Vinka Ellesin

Vinka Ellesin was a folk singer who sang Serbian music in the sevdalinka style. The national Serbian community referred to her as the "Queen of Sevdalinka". She was born to Serbian immigrants, Djoka and Sophia (Soka) Ellesin, in Akron, Ohio around 1921. By the age of 16, she was singing on a nationally broadcast radio show on WADC. Later, she performed at the Black Whale, a well-known club in Cleveland. In 1938, the bandleader Sammy Kaye invited her to audition to be the lead vocalist in his orchestra, but she turned him down, preferring to continue singing Serbian folk music instead. During World War II, Ellesin performed at the Blue Danube and the Russian Samovar in Detroit, Mich. where she lived. Ellesin stayed in the Pittsburgh area for an extended period of time in the early 1950s while she performed nightly at the Sunrise Inn in Monroeville, Pa. During the 1930s through the 1970s, Ellesin toured throughout North America and Australia while returning to Pittsburgh many times to perform at local Serb National Federation events.

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Publishing

Христос – Нова Пасха – Божанствена Литургија

Serbian Edition, author Bishop Athanasius Yevtich (издање на српском језику, аутор епископ Атанасије Јевтић)

Период двадесетог века представљао је врло комплексно раздобље везано за развој литургијско-богословске мисли у нашој помесној Цркви. Осећајући насушну еклисијалну и пастирску потребу да поменуту мисао надгради и истовремено је учини приступачнијом народу Божијем, епископ Атанасије Јевтић се одлучио да понуди тротомно дело под насловом: Христос – Нова Пасха – Божанствена Литургија. Иако се објављивање трећег тома тек очекује, сматрамо да богословској и читалачкој пажњи треба представити два тома који су већ изашли.

Сложени назив овог епохалног издања, које може бити препознато као „српска литургијска стромата двадесет и првог века“, аутор је начинио на основу одељка из Прве Посланице Коринћанима светог апостола Павла: Јер се Пасха наша Христос жртвова за нас (1Кор 5, 7). Дело се састоји из два тома и намењено је, према речима епископа Атанасија, „богобојажљивим и христочежњивим љубитељима Божанских Тајни, усрдним учесницима Свете Литургије и причесницима Богочовечанских Светиња“. Наиме, у њему су сабрани текстови о Светој и Божанственој Евхаристији од најранијих времена Цркве Христове (првог века) све до савременог доба, а сâм циљ јесте „раскривање литургијских, еклисиолошких, космичких и есхатолошких димензија Светајне Христа и Његове Цркве“. Највећи део сабраних литургијско-светоотачких текстова се по први пут појављује на српском језику, благодарећи преводилачком и прегалачком труду епископа Атанасија. Уз то, веома су драгоцени његови оригинални коментари. Треба истаћи да су оба тома штампана са тврдим корицама у штампарији Интерклима Графика у Врњачкој Бањи.

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